QRQ CW over 100 wpm - tips, techniques and specialized QRQcw GEAR

This video is demo’N a setup to create a custom QRQ CW sine wave, raised cosine edged, ‘keyable’ oscillator

There are already 2 excellent programs for LINUX for a software QRQ CW KEYBOARD… FLdigi and TWQRQ...however, neither one of them are ‘keyable’ - this first video in a new video series on “QRQ CW OVER 100 WPM” uses Fldigi as a tool to build a new software QRQ CW pure sine wave, raised cosine edged, ‘keyable’ oscillator...that you can adjust weight both by TIME and by PERCENTAGE…you can also choose the raised cosine ‘window’, adjust pitch, volume, Q, bandwidth etc… NOTE: at QRQ CW over 100 wpm, many of the cw element parameters become critical for good copy… for example, the edge noise, in spite of the cw element having an 8 ms rise and fall time, increases with cw speed and must be reduced...the edge noise can get so loud as to be 50 percent of what you hear… the VSTs filter it out very well...

NOTE: headphones might be needed in order to hear the subtle cw edge changes
NOTE: only one speaker output is used for the video, to prevent 2 speaker phase issues while listening....you can use a STEREO to MONO adapter if you need to hear this video on both speakers..

first a 1000 hertz tone from Fldigi’s RT QSK CONTROL RT CHANNEL audio output goes to the input of the VST HOST’s first VST PLUGIN, a bandpass filter...which is centered at 1000 hertz...the volume of its output is CRITICAL to get the weight by TIME to work in the following plugins… [ - 1.74 db in this setup ]

the bandpass filter connects to the first REAGATE VST Plugin, where again the threshold volume(-.2 db) is critical to get the weight by TIME to work on the next plugin...another REAGATE…

the 2nd REAGATE PLUGIN is used for adjusting the WEIGHT BY TIME on the CW NOTE...the threshold slider in the middle is set to clone Fldigi’s weight and if you raise the threshold slider higher...you get lighter keying...if you lower the threshold slider you get heavier keying…

the next VST PLUGIN is called “sineCW” and is the heart of the system...where the 1000 hertz tone is used to create a new “cloned” cw element..sineCW lets you adjust the CW PITCH, VOLUME, bandpass filter bandwidth and Q, and rise/fall time

the final vst plugin is called the ENGINEERs FILTER, where we remove any remaining edge noise and select the filter ‘window’ to your preference...each window sounds a bit different...and allows more or less edge noise to get through to the audio output…

a text file from TOM’s, W4BQF, article about copying CW OVER 70 wpm is used...and demoN some of plugins while sending...
https://sites.google.com/site/tomw4bqf/copyingcwover70wpm


http://qrqcwnet.ning.com/forum/topics/home-brewed-software-code-pra...
https://www.image-line.com/support/FLHelp/html/plugins/Minihost%20M...
https://www.meldaproduction.com/MFreeFXBundle
https://www.reaper.fm/reaplugs/
http://www.rs-met.com/freebies.html

Views: 261

Comment by Chuck aa0hw on August 9, 2018 at 11:13am

Here is the AD5DZ software CW KEYBOARD sending at 151 wpm and its controls adjusted to try and make the copy by ear at this speed, a little bit easier - with all the options the AD5DZ software CW  Keyboard has to offer:

This video will demo the AD5DZ at an extreme QRQ CW sending speed = 151 wpm

some of the cw timing controls will be adjusted during the text file sending - you many notice that a tiny change can make a slight difference in how the cw sounds at this high speed....

headphones may be necessary in order to hear the subtle changes in the cw audio

the controls I thought that gave the most benefit for making copy by ear at this speed a little bit easier were:
1. the 2nd window selection
2. the compensation - trimming off just a tiny bit of time off of each cw element equally
3. the weight and ratio also provided some help
4. the amount of rise/fall time - “ramp” which adjusts both rise/fall time the same amount
5. cw pitch - a certain pitch seems to have been easier to copy by ear at this speed

here are the settings that seemed to help me the best at this speed to copy by ear a little better…
WINDOWs 1. cosine 2. gaussian
COMPENSATION - 0.7 ms
PITCH 885 hertz
WEIGHT 45.1 %
RATIO 43.3 %
RAMP 5.6 ms rise/fall time
the HP/LP/BP filter i found to be another great help to bring down further - the remaining cw element edge noise after adjusting the cw keyboard controls

the AD5DZ CW KEYER:
https://youtu.be/l8wKVnA4oGc
https://github.com/recri/keyer

Comment by Chuck aa0hw on October 2, 2018 at 4:20pm

Here is a VIDEO demoN a REMOTE QRQ CW OP setup where you can KEY your rig and HEAR your RIG over ip using the AD5DZ software QRQ CW KEYBOARD, a RASPBERRY PI::RIG::USB sound card interface, a simple AUDIO DERIVED PTT KEYING CIRCUIT and the "audio OVER ip" APP  ZitaNJbridge

In this 4th video in this series...which is a follow up to this:
https://youtu.be/AyWewt3kejc

This setup is basically the same software APPs used ON THE PI shown on this 2nd video: https://youtu.be/aTrEnIDFB9E but this time the CW APPs are on the REMOTE OP's computer...giving the PI some breathing room...

to route the audio to be transmitted by the PI::RIG:USB soundcard interface, and to receive the RIG's receive HF RX AUDIO and the RIG's TX input audio monitor(which is the CW you will hear) ZITAnjBRIDGE is used...zita has near zero latency and near zero network jitter on the LAN ...so it is the "perfect" APP for remote AUDIO OVER IP - where you need precise and consistent timing...
https://kokkinizita.linuxaudio.org/linuxaudio/

BASIC idea for this video was to test a high QRQ CW speed 125 wpm, and see how well QRQ CW above 100 wpm would work with this REMOTE QRQ CW OP to HOME BASE RIG setup...

NOTE: the AD5DZ QRQ CW KEYBOARD...has some significant features that give it quite a few advantages when you are trying to create a well designed CW NOTE for 100 wpm and above...
https://youtu.be/l8wKVnA4oGc

Comment by Chuck aa0hw on October 4, 2018 at 2:43pm

better QRQ COPY using a COSINE & GAUSSIAN window instead of the HANNING WINDOW - here is a video example:

in regards to edge shaping using raised cosines....and the typical, usual, HANNING WINDOW that is used to shape the QRQ CW WAVE forms by many cw APPs... INSTEAD - by using CW REGENERATION of the FABIAN's QRQ APP's audio output via the RECRI KEYER and the TRIGGER MIDI MONO APP....a DOUBLE WINDOW is used inside the RECRI KEYER to produce a COSINE::GAUSSIAN window that is a tiny bit lighter than the HANNING and at the higher qrq speeds, it seems to make a slight difference in lowering the edge noise, and making a tiny bit more breathing room between the CW ELEMENT CHARACTERS...perhaps making it just a tad easier to copy

an example is used by sending random WORDS using FABIAN's QRQ APP...at 130 wpm...to go back and forth between QRQ APP's HANNING window..and the REGENERATED RECRI KEYER's COSINE::GAUSSIAN window..
https://fkurz.net/ham/qrq.html

both are using the same RISE/FALL TIME = 6 MS and the SAME PITCH = 970 hz


RECRI KEYER
How to install the AD5DZ RECRI KEYER SOFTWARE:
https://youtu.be/l8wKVnA4oGc

TRIGGER MIDI MONO:
http://lsp-plug.in/?page=manuals&section=trigger_midi_mono

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